Composers
Alberto Iglesias
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Spain’s most acclaimed living composer, Alberto Iglesias, was born in San Sebastian in 1955. His early musical training included the piano, guitar and composition as well as electronic music studies. He first wrote for film in 1980.
Iglesias quickly developed close working relationships with the best of avant-garde Spanish directors such as Pedro Almodóvar (The Flower of My Secret, Live Flesh, All About my Mother, Talk to Her, Bad Education and Volver), Julio Médem (Vacas, La ardilla roja, Tierra, Los amantes del Círculo Polar, Sex and Lucia), Iciar Bollain (Take my eyes), Bigas Luna (La camarera del Titanic) and Carlos Saura (Dispara).
In the past five years he has written for major US productions and has been acclaimed for his work with leading Hollywood figures such as Oliver Stone (Comandante), John Malkovich (The Dancer Upstairs) and Fernando Meirelles (The Constant Gardener).
Most recently Iglesias has composed the original film score for Marc Foster´s The Kite Runner based on the best seller by Khaled Hosseini that is due for release in December 2007 and is now working on Steven Soderbergh’s two films on Che Guevara starring Benicio del Toro, The Argentine and Guerrilla.
Iglesias won the World Soundtrack Award for Soundtrack Composer of the Year and Best Original Soundtrack of the Year (Flanders International Film Festival, Ghent) and has been awarded eight ‘Goyas’, the last one for Broken Embraces (Los Abrazos Rotos), as well as the National Award of Cinematography in September 2007 at the San Sebastián Festival plus many more European accolades. He has also received nominations for both an Academy Award and BAFTA for The Constant Gardener and also The Kite Runner, the only Spanish composer to achieve that status.
In addition to his work in film Alberto Iglesias is a prolific composer for the concert hall (orchestra, ensemble and string quartet), and for ballet. In the latter medium he has composed for the dancer/choreographer Nacho Duato and his National Dance Company in Spain - in particular Cautiva (1992), Tabulae (1994), Cero Sobre Cero (1995) and Self (1997), all of which have been performed worldwide.
In recent years Iglesias has written his most significant scores for the concert hall including: Assault to the Castle (for voices and orchestra), In the Land of the Lemon Trees (for soprano and chamber orchestra, and premiered by Dawn Upshaw and the Saint Paul Chamber Orchestra), Factory of Silence (for viola and strings) and Cuarteto Biere (a string quartet for the Tokyo Quartet).
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