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Philip Glass : White Raven


commissioned by the Commissão Nacional para as Comemoraçôes dos Descobrimentos Portugueses
Publisher Dunvagen Music Publishers Inc
Category
Opera and Music Theatre
Year Composed 1991
Duration
2 Hours, 20 Minutes
Solo Voice(s) 4 Sopranos, 3 Mezzo sopranos, 3 Tenors, 2 Baritones, 2 Bass-baritones, Bass, Speaking role
Chorus
SATB
Orchestration 2+pic.2.2+Ebcl+bcl.2/4.3.2+btbn.1/4perc/hp.epf/str
Languages
English
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Programme Note

The opera touches upon discoveries throughout time, beginning with the expeditions of the Portuguese explorer Vasco da Gama, "The work is not concerned with historical accuracy. It pursues, rather, an open reflection on the concept of discovery of commencement (of what does not exist but comes into being) and the concept of beginning (as Aristotle writes, 'a beginning is that which does not come necessarily after something else, but after which it is natural for another thing to exist or to come to be'). The title "White Raven" alludes to the myth in which Apollo turns a white crow black for denouncing Cronis' infidelity - in the opera the crow is the messenger of the misfortune, the symbol of lost innocence."
© Luísa Costa Gomes

Reviews

  • “Philip Glass is a musician of extraordinary ability, and chooses his collaborators well: Cocteau, Wilson, Freyer…he swims like a fish through the waters of the marketplace that contemporary society has become. Building on a foundation of serious music, and with more than a light flirting with light music, Glass has done his bit to attract a new audience to opera. His minimalism has been a crucial reference point for musical aesthetics over the past few decades, and in The White Raven is put at the service of a poetic and ironic text by the Portuguese writer Luisa Costa Gomes. It’s music with more tunes than we’re used to from Glass, and here receives strong support from the production’s visual element…An all-around success for the Teatro Real.”
    Juan Angel Vela del Campo, El Pais, 01/11/1998

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