Reviews

• “The most distinctive and monumental score, The Ogre (Nazi-era heroics by Volker Schlöndorff, 1996), banished the strings and built its blocks of sound on utterly basic foundations. Sometimes it caught a dissonant, objective solemnity reminiscent of Stravinsky’s Symphonies of Wind Instruments.”
  Robert Maycock, The Independent, 01/07/1999