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Programme Note

From the beginning of Equilibrium the solo viola is at its most 'expressive' (in the traditional sense), playing a long decorated line which weaves through all parts of the instrument's range. Apart from the brief opening outburst, the ensemble takes only a very small supporting role in this passage. From this initial point of simplicity, the piece begins to destroy its own material in various ways: through imitation, repetition, digression, deconstruction, delayed resolution, distortion, and negation, this 'expressive' identity of the viola's opening material is constantly called into question and redefined.

The role of the viola as soloist is given successively less emphasis at the start of each of the three movements, and within each movement the material of the viola and its status is progressively diminished. Thus the piece brings the relationship between the viola and the ensemble, which at first was distinct but not antagonistic, into a state of equilibrium, while the transformed material takes on a more elusive, perhaps contemplative character more suited to this new state of affairs.

(c) Stuart MacRae